Spanish Federation of Dance Companies Network
SECRETO A VOCES ANABEL VELOSO FLAMENCO DANCE COMPANY

WELL KNOWN SECRET shows the most intimate nature of the artist towards her audience. Art is inevitably a reflection of the creator and interpreter personality, her deeper being is manifested, and that’s the way it must be. When that happens, the performance becomes truth and takes place a direct communication with the public that discovers unique and vital voices, perhaps whispered or veiled so far. Anabel Veloso works under this premise and, ant the same time, trying to find the difficult balance between tradition and the innovation era she belongs to, which has determined the way she reached flamenco. This performance put together the voices of Miguel Soto "El Londro" and Juan de Mairena, the guitar of Javier Patino, the winds of Diego Villegas, and the sound of one of the instruments the Bailaora identifies herself the most: the flamenco piano. Aesthetical, Elegant, Versatile And who else better than David Peña DORANTES, “The flamenco Piano Jewel” to take this assignment, he marries as no one else the classic virtuosity and the traditional lineage of flamenco. Anabel Veloso also rescues an original composition of one of the highest historical representatives from the canonical generation of the flamenco piano: JOSÉ ROMERO. Concert musician, composer and researcher of this instrument. After his death he left an unpublished orchestra piece, which he kept in secret, perhaps because he lived an internal battle by searching his a personal style, combined with the pressure of the purist tradition. His work is shared with the general public through this production and finally could be heard performed by the ORQUESTA BÉTICA DE CAMARA soloists and under the direction of MICHAEL THOMAS, as a small tribute to this great flamenco piano ambassador.     Credits and datasheet
 Premiered: 27/09/2016 / Available

ARTISTIC TEAM-

Original Idea, Direction and Choreography Anabel Veloso
Choreographies: Andrés Marín “Olor a Romero” and Jesús Carmona-Veloso “Do de pecho”
Dancers: Anabel Veloso
Singer: Naike Ponce y Juan de Mairena
Guitar: Javier Patino
Flute, saxophone and harmonica: Diego Villegas
Percussion: Carlos Merino
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FICHA ARTÍSTICA
IDEA ORIGINAL, DIRECCIÓN Y COREOGRAFÍA Anabel Veloso

COREOGRAFÍAS Andrés Marín “Olor a Romero” y Jesús Carmona-Veloso “Do de pecho”

COMPOSICIÓN MUSICAL Javier Patino, Diego Villegas, Dorantes “Caravana de los Zincali” y José Romero.

BAILE Anabel Veloso

PIANO EN COLABORACIÓN ESPECIAL Dorantes

CANTE Miguel Soto “El Londro”, Juan de Mairena

GUITARRA Javier Patino

FLAUTA, SAXO Y ARMÓNICA Diego Villegas

PERCUSIÓN Carlos Merino

BATERÍA (Dorantes) Javi Ruibal

ARTISTA INVITADA Irene de Paz

DIRECTOR DE LA ORQUESTA BÉTICA DE CÁMARA Michael Thomas

ARREGLOS DE LA ORQUESTA BÉTICA DE CÁMARA Michael Thomas y Diego Villegas

MÚSICOS DE LA ORQUESTA BÉTICA DE CÁMARA

VIOLINES I José Manuel Martínez Melero y Alan Andrews

VIOLINES II Elena Fernández González y Lourdes Galache Ruiz

VIOLAS Ignacio Manzano Fernández y Verónica Micó García

VIOLONCHELOS Ana Sánchez Barrueco y Benjamín Rodríguez García

CONTRABAJO Eduardo Rodríguez Spínola

OBOE Jacobo Díaz Giráldez

CLARINETE Antonio Salguero Montesino

TROMPAS Lorena Martín Núñez y Manuel Enamorado Arjona

TROMPETAS Ignacio Gallardo Leal y Andrés Martínez García

ARPA María Vicenta Diego Peris

FICHA TÉCNICA

DISEÑO ESCÉNICO Anabel Veloso

DISEÑO DE ILUMINACIÓN Antonio Valiente

DISEÑO DE VESTUARIO Anuschka Braun, La Doopia

CONFECCIÓN DE VESTUARIO Gianni Versace, La Doppia Y Uterque

DISEÑO DE BATA DE COLA Yaiza Pinillos

CONFECCIÓN DE BATA DE COLA Pili Cordero

DISEÑO AUDIOVISUAL Fernando Brea

SONIDO Manu Meñaca

DIRECCIÓN TÉCNICA Antonio Valiente

MAQUINARIA Y REGIDURÍA Francisco Rubio

SASTRERIA Anuscka Braun

FOTOGRAFÍA Nacho Vidal “PolloBarba” y Lucas López

ZAPATOS Gallardo, Senovilla

COMUNICACIÓN Jaime Quintero

DISTRIBUCIÓN Compañía Anabel Veloso

DIRECCIÓN DE PRODUCCIÓN Sonia D. Roncero

Es una producción de Anabel Veloso Compañía Flamenca en Coproducción con el Teatro Auditorio de Roquetas de Mar, con la Ayuda de IAF de la Agencia Andaluza de Instituciones Culturales.
Orquesta Betica de Cámara de Sevilla Patrocinada por Óptica Cervantes.

AGRADECIMIENTO a la familia Romero Mena por la cesión de las partituras originales y material audiovisual de José Romero

El Flamenco Que Viene, con el patrocinio de:

IAJ Y TEATRO AUDITORIO DE ROQUETAS DE MAR
ANABEL VELOSO FLAMENCO DANCE COMPANY
WELL KNOWN SECRET shows the most intimate nature of the artist towards her audience. Art is inevitably a reflection of the creator and interpreter personality, her deeper being is manifested, and that’s the way it must be. When that happens, the performance becomes truth and takes place a direct communication with the public that discovers unique and vital voices, perhaps whispered or veiled so far. Anabel Veloso works under this premise and, ant the same time, trying to find the difficult balance between tradition and the innovation era she belongs to, ...

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