Spanish Federation of Dance Companies Network
QUO DANTZAZ

Is there a place—a place—for dance? How to find it in a world where virtuality threatens to fragment at every moment that rituality or ceremony of the body, the movement...? 'QUO', the new Dantzaz program, invites us to imagine that path and does so using the gazes that surround the works of Gil Harush and Hilde Koch. Both artists sign the three pieces that make up a mosaic that brings to the stage the old fishing traditions; that portrays the anxiety that causes us to be permanently connected; or that tells us about water, fire, air and earth (the four natural elements) to recreate an ancestral territory, sober and beautiful, where we can find that fragile peace that perhaps we have lost. Is there, we ask ourselves, a place for dance in a world that submerges and drags us towards the most absolute virtuality, towards distance and individualism? Our answer is a resounding yes. More than ever, it's dance time. It is place (our place) for dance. It's 'QUO'. Credits and datasheet
 Premiered: 17/03/2022 / Available

COREOGRAFÍAS:
Hilde Hoch y Gil Harush
DIRECCIÓN ARTÍSTICA:
Adriana Pous
BAILARINAS/ES:
Raúl Abentin, Andrea Aguado, Marina Eskisabel, Maddi Gaztelumendi, Laura G. Latasa, Lara Matea Ivancic, Oscar Pascual, Noel Quintela, Iñigo Rementería y Beñat Urrutia
DIRECTOR TÉCNICO:
Amal Aristimuño (Eragin Stac)
EQUIPO TÉCNICO:
Eragin Stac
DOCUMENTACIÓN:
Bertha Bermúdez
ADMINISTRACIÓN:
Iker Bengotxea
FOTOGRAFÍAS:
Blanca Razquin y Beñat Gereka
AUDIOVISUAL:
Beñat Gereka (Txikota)
TEXTOS / COMUNICACIÓN:
Eduardo Vielba (C&C)
DIRECTOR GENERAL:
Fernando Sáenz de Ugarte
DANTZAZ
Is there a place—a place—for dance? How to find it in a world where virtuality threatens to fragment at every moment that rituality or ceremony of the body, the movement...? 'QUO', the new Dantzaz program, invites us to imagine that path and does so using the gazes that surround the works of Gil Harush and Hilde Koch. Both artists sign the three pieces that make up a mosaic that brings to the stage the old fishing traditions; that portrays the anxiety that causes us to be permanently connected; or that ...

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