Spanish Federation of Dance Companies Network
No Time to Rage Ogmia

No Time to Rage exposes the conflict experienced by the individual who decides to confront society. Or what is the same, who decides to confront himself. Deconstructing in order to build. In this journey of dualities, the individual who wants to survive and transcend, must face his environment, facing the exclusion and rejection of others. Even opening the possibility of his own mutation, of loss, during the journey. Without good there is no evil. Without evil there is no good. The characters in No time to rage are subjected to a constant dichotomy, they develop in a pseudo-futuristic space-time, alternating two lines that dramatize their present and past experiences. A cycle of toxicity that, like a neoeternal return, includes the two faces of the same reality: being both victim and executioner. No one is unpunished. This constant conflict, wants to lead the viewer to a self-evaluation on the concept of "self" and "other", resetting their own prejudices. It generates an open but thoughtful wound, influenced through the sharp and precise expressiveness of the dancers' interpretation. No Time to Rage viscerally tells the story of a society in which its participants believe they are free from established conventions and roles, looking at their own navel and not recognizing that they themselves created the place from which they cannot free themselves. This work reflects the dark contradictions that are part of freedom itself, but sheds light on it, on this innate desire impossible to extinguish in each of us. Marta Abad Molina. Credits and datasheet
 Premiered: 31/10/2019 / Available

Director, choreography and original idea: Eduardo Vallejo Pinto.
Choreographer Assistant: Michela Lanteri.
Performers: Javier Monzón, Michela Lanteri, Valentina Pedica, Delaney Conway, Yaiza Caro Martinez, Mai Matsuki y Eduardo Vallejo Pinto.

Dramaturgy: Eduardo Vallejo Pinto.
Coaching: Fran Arráez.

Original music and sound space: Iván Solano.
Light design: Kira Argounova.
Costume design: Piedad Valles y Eduardo Vallejo Pinto.
Dressmaking: Piedad Valles.
Vídeo: Belén Herrera de la Osa.
Photo: Alba Muriel Meléndez.
Graphic design: Diego Cavia.

Production: Batbox Productions.
General Producer: Eduardo Vallejo Pinto.
Executive Producer: Diego Cavia.
Project management and production coordination: Diego Cavia.
Technical Coordination: La Cía de La Luz S. Coop. Mad.

Lenght: 70 minutes.
Audience: + 13.
Ogmia
Founded in 2019, Eduardo Vallejo Pinto's company currently ranks as one of the new proposals of the local scene with more consistency. The research work of the movement of its Director as a choreographer is developed through a research methodology that delves into the body's own innate code. This unique code sees the possibilities of development through the technical as development framework, is based on the recognition of the same individual, its limits and potentialities. The assimilation of the technique and physical exhaustion will give the ...

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