From the seemingly voluntary disorder the labyrinth offers
us, LABERÍNTICA shows us movement: from the
exterior to the interior, from the manifest to the invisible, from
multiplicity to the unique.
Marco Flores Marco Flores takes a new step in his career as
a representative of today’s generation of flamenco dancers, a
generation whose trademark – in all probability – lies in freely
expressing its perception of flamenco as something alive,
contemporary and useful to the emotions.
LABERÍNTICA shows the flamenco dancer in search of his
poetry, from his own experience, sculpting the kaleidoscopic
aspect of his dance and the scale of his personality. Here he
is accompanied by four flamenco dancers, who serve as his
mirror, his shadow, and by six musicians who carry his echo,
from Entrance to Exit.

REVIEWS:

“Laberíntica, flamenco that breathes.

Marco Flores is an example of elegance. He is one of the leaders of that interesting generation of innovative flamenco creators. He uses a very personal language, rich and naked at the same time, and eternally beautiful.”  Tove Djupsjöbacka, HBL.fi

“Marco dances taranto with some wonderful moves.  Cartegeneras, slow tangos from Granada, a fascinating solea por bulería danced by five men with an excellent vocal arrangement.  Who would have thought, a chorus for bulería por soleá!  Strongly suggestive erotic moves in the caña,… Then Marco serves up his absolutely sublime bulerías, full of flamenco subtlety; he triggers enthusiastic cheering with a simple hand movement.” Deflamenco.com