Spanish Federation of Dance Companies Network
‘El Festín de los Cuerpos’ Compañía Danza Mobile

"In Plato's heat and light, we set ourselves to dance the choreography of our entanglement erotic, which seems to be made of longing and infinite waits. The imaginative and almost humorous exposure of the human being as a animal of androgynous nature, condemned to find his other half, it moves us to celebrate desire, the only nature of which is possible only could be the one from the game. A game, maybe, too serious; so we decided, just like the philosopher in The Feast did, to treat it lightly. Finding the eyes to look at us and recognize us, the hands to be touched and recognized, the body to remind us that we are made of the same matter as the stars, that the trees or insects. Our feast wants be a celebration of the bodies, of their movement and its diversity". Antonio Alamo Credits and datasheet
 Premiered: 27/12/2018 / Available

Intérpretes: helliot Baeza, Manuel Cañadas, Ana Erdozain/Manuela Calleja,
Jaime García, Arturo Parrilla y Teresa Rodríguez-barbero
Músicos: S’yo Fang (piano), Bernardo Parrilla (saxofón), Yoojin Ko (flauta travesera), Javier
Herrero (batería y percusión), Manuel Calleja (contrabajo), Emilio Parrilla (clarinete)
Espacio sonoro: S’yo Fang, Bernardo Parrilla, Yoojin Ko y Emilio Parrilla
Espacio escénico: Emilio Parrilla Muñoz
Iluminación: Benito Jiménez
Sonido: Diego Cousido
Construcción escenografía: Tito Vázquez y Ilmex
Grabación video: Rivenz Lab
Edición video: Jesús García
Fotografía: Raquel Álvarez y Anne Alcocer
Ayudante de dirección: Raquel Madrid
Comunicación: Mercedes Vega
Administración y producción: Fernando Coronado
Asesoría artística: Esmeralda Valderrama
Dirección musical: Emilio Parrilla
Coreografía: Manuel Cañadas, Ana Erdozain y Arturo Parrilla
Dramaturgia y textos: Antonio Álamo
Dirección: Arturo Parrilla
Compañía Danza Mobile
"In Plato's heat and light, we set ourselves to dance the choreography of our entanglement erotic, which seems to be made of longing and infinite waits. The imaginative and almost humorous exposure of the human being as a animal of androgynous nature, condemned to find his other half, it moves us to celebrate desire, the only nature of which is possible only could be the one from the game. A game, maybe, too serious; so we decided, just like the philosopher in The Feast did, to treat it lightly. Finding the eyes to look at us and recognize us, the hands to be ...

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