Spanish Federation of Dance Companies Network
THE TROUSSEAU TERESA NIETO EN COMPAÑÍA

The trousseau and her. Our life is like a cloth. A cloth of feelings, emotions, and shared love stories. The cloth of her life is being danced. It is composed of the small things that give meaning to life, the intimate territory of the room, the home, the femininity, the care and affections. And now, when the contours of her body are no longer as strong, one has to assume how the remaining lines of the cloth will be. In the bout for the lost steps, the origin of movement is no more than a loving body. Sensitivity, beauty… Teresa Nieto’s latest work presented at the Abbey Theatre (Teatro de la Abadía) is truly poetry in motion. Teresa is living a glorious moment in her career. She is not affected by awards or the commotion of those times; she stays true to her artistic language. And she does so in the most meticulous way, paying great attention to all details, including music,  wardrobe, light, and the precise props required to create a dream world that can take us back to something we all recognize.  The Trousseau is a magnificent piece unparalleled in recent years on the national stage.   Credits and datasheet
 Premiered: 15/11/2013 / Available

CREW
DIRECTOR: TERESA NIETO
PERFORMERS: SARA CANO, TERESA NIETO
LIGHTING AND ESTAGE DESIGN: GLORIA MONTESINOS (A.a.i.)
COSTUME DESIGN AND SEAMSTRESS: MAYKA CHAMORRO
ORIGINAL MUSIC AND SOUND DESIGN: HÉCTOR GONZÁLEZ
MUSIC: MAX RICHTER, MARC RIBOT, RENÉ AUBRY, MADELEINE PEYROUX, LHASA DE SELA
“LA JAVANAISE” VERSION: HÉCTOR GONZÁLEZ. VOZ: TERESA NIETO
GRAPHIC DESIGN: CIRCUSMEDIA
SOUND TECHNICIAN: JORGE DÍAZ “ROY”
STAGE HAND: ERNESTO RUIZ MATEO / OSCAR ALONSO
EXECUTIVE PRODUCER: DIANA NÚÑEZ
DISTRIBUTION: NANI SORIANO – AJOBLANCO
PRODUCER: TERESA NIETO EN COMPAÑÍA
COLLABORATION: LA NAVE DEL DUENDE, MINISTERIO DE CULTURA
CO-PRODUCTION: CONSEJERÍA DE EMPLEO, TURISMO Y CULTURA DE LA COMUNIDAD DE MADRID
RESIDENT COMPANY: C.C. EDUARDO ÚRCULO. DISTRITO DE TETUÁN – MADRID
TERESA NIETO EN COMPAÑÍA
The trousseau and her. Our life is like a cloth. A cloth of feelings, emotions, and shared love stories. The cloth of her life is being danced. It is composed of the small things that give meaning to life, the intimate territory of the room, the home, the femininity, the care and affections. And now, when the contours of her body are no longer as strong, one has to assume how the remaining lines of the cloth will be. In the bout for the lost steps, the origin of movement is no ...

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